Image via Huffington Post. I resist sweeping theories that attempt to account for the entire nature and destiny of humankind. It seems like an arrogant enterprise. The first reason is because it seems unconscionable to compare a protest group to a network of individuals that systematically terrorized, raped, tortured, and murdered African Americans for over a century. The second reason is because it forced me to concede, and not for the first time, that Girard got a few things right. Even if philosophy is not your cup of tea, once you grasp these two concepts, you are well on your way to having a functioning Girardian lens. Mimesis means imitation.
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We very well could be inside a cliche Americana film scene as envisioned by cosmopolitan advertising agency people from New York. But the dive bar is not a movie set— years of dust from the cotton harvest of the farms nearby have caked into the wood siding outside, and those layers are too real of a detail for an art department to capture. We have come to photograph this real thing. The next day begins a year long photo project for an agriscience company, Corteva. We meet the rest of the team in our hotel lobby, unaware of the ultimate bond we will all grow into through the work and travel ahead. It was the ultimate adventure into a world often overlooked, but essential to all life as we know it— the farm. When creating the images, you may see us hanging from a plow at dusk in Oklahoma. You might find us on a skiff in Vietnam, or caught in a torrential downpour in Brazil. Maybe we are in the back of rickshaw in India, or inside a dusty corn silo in Wisconsin. This is what we set out to capture.
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